Texts

and media

StillStand, 2020

Katja Aksenenka, Katia Hermann and Bart Van Kersavond, ‘#StillStand – interview with Ida Lawrence’, Urbanpresents, 14 June 2020

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Inter(subject)ivity, 2020

ISA Art and Design, Inter(subject)ivity, exhibition catalogue, March 2020 (80 MB)

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Bara with Woven Kolektif, 2020

Buah Zine, ‘Art from a (social) distance: Artists, photographers, virtual exhibits to love’, 11 April 2020

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In Conversation: FX Harsono x Ida Lawrence, 2019

Emily Rolfe and Bianca Winataputri, ‘In Conversation: FX Harsono x Ida Lawrence’, exhibition booklet, Fairfield City Museum & Gallery, Sydney, 2019

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The Essayist, 2019

Jasmin Stephens, ‘The Essayist’, curatorial, The Cross Art Projects, Sydney, 2019

Melinda Reid, ‘The Essayist’, exhibition review, Running Dog, 10 September 2019

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Ecologies of Being, 2019

Tanushri Saha and Naomi Segal, ‘Ecologies of Being’, Peril, 17 July 2019

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Brisbane and Elsewhere Art UnTriennial, 2019

‘BEAUT’, exhibition catalogue, Brisbane, 2019

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looking here looking north with Woven Kolektif, 2019

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Jangan Lupa Bawa Oleh-Oleh Ya, 2018

Dwi S. Wibowo, ‘Oleh-Oleh Tak Lazim Dari Jogja’, Jawa Pos, 11 February 2018

Haris Firdaus, ‘Oleh’Oleh Ida Lawrence’, Kompas, 13 January 2018

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Failed Restorations, 2016

Kate O’Boyle, ‘Failed Restorations / Shuffling Slowly Toward The Exit / You Can See Me But I Can’t See You – July 2016’, online exhibition essay, FELTspace, Adelaide, 2016

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Neither Spectacularly Successful, Nor a Spectacular Failure, 2016

Jane Gillespie, Sebastian Henry-Jones, Harriet Reid & An Sheng, ‘Neither Spectacularly Successful, Nor a Spectacular Failure’, exhibition curatorial, Sydney College of the Arts, Sydney, 2016

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Quiet Subversions: Paintings By Arthur Parker, 2014-2015

Ida Lawrence, ‘A Great Quietness’, curatorial catalogue text, Quiet Subversions: Paintings by Arthur Parker, Interlude Gallery, Sydney, 2015

Szymon Dorabialski, ‘Text by Andrei Malarski’, online text, Quiet Subversions: Paintings by Arthur Parker, Interlude Gallery, Sydney, 2015

Misael M, ‘Quiet Observations’, online text, Quiet Subversions: Paintings by Arthur Parker, Interlude Gallery, Sydney, 2015

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(n)desa / bloody woop woop: stories from Kliwonan, Barmedman and between, 2012-2013

Monika Proba, ‘”More or Les”: mapping landscapes in between’, catalogue essay, (n)desa / bloody woop woop: stories from Kliwonan, Barmedman and between, TeMBI Rumah Budaya, Yogyakarta, 2012

Monika Proba, ‘”More or Les”: mapping landscapes in between’, (‘”More or Les”: memetakan di antara dua tempat’), translated into Indonesian by Nita Kariana Purwati

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